From Votive Wish to Fashion Dream: Pauline Dujancourt’s Journey

Ten years ago, Pauline Dujancourt found herself in Japan, captivated by the tradition of tying votive wishes at temples. She penned her own wish in a notebook: “I wish to be a fashion designer.” This simple act sparked a journey that would transform her dream into reality.

Dujancourt’s passion for knitwear and crochet blossomed into a poetic art form. Her debut at London Fashion Week was a conceptual celebration of that pivotal moment. Models showcased her delicate collection of dresses, cardigans, and skirts, each piece a testament to her meticulous craftsmanship. The runway was transformed into a ritualistic space, with models tying tiny strips of text to a large knitted net, emphasizing the connection between Dujancourt’s artistry and the act of wish-making.

Her signature aesthetic is a captivating blend of textures and materials: cream and soft lichen green baby-fine yarns, draped ruchings of fabric, organza ribbons, and tiny rouleaux bow fastenings. This unique style is a product of her dedication and training, honed through her studies at the École Duperré School of Applied Arts in Paris and her subsequent work with renowned designers Simone Rocha and Rejina Pyo. After completing her Master’s degree at Central Saint Martins, Dujancourt emerged as a fully-fledged member of London’s burgeoning creative class of women designers.

Beyond her artistic vision, Dujancourt is deeply committed to ethical practices. She collaborates with a collective of skilled women hand-knitters and crochet specialists in Lima, Peru, as well as artisans in France and the UK. This dedication to sustainable and inclusive design elevates her work, making her gentle aesthetics all the more beautiful to behold.

Pauline Dujancourt’s story is a testament to the power of a dream and the unwavering commitment to artistic expression. She embodies the spirit of contemporary fashion, where craft, innovation, and ethical values intertwine to create truly compelling designs.

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