Alessandra Ferri, a world-renowned ballerina who once held the title of “Prima Ballerina Assoluta,” is returning to the stage after 16 years of retirement. She is reprising her role in Wayne McGregor’s acclaimed ballet, ‘Wolf Works,’ a piece inspired by the life and works of Virginia Woolf. Ferri, now 61, will be performing in two performances of the ballet, which will have its New York premiere at the American Ballet Theatre (ABT).
Ferri, who began her career with the Royal Ballet in London and was invited by Mikhail Baryshnikov to join the ABT as a principal in 1985, hasn’t frequently graced the stage in recent years. However, when McGregor, known for his innovative and challenging choreography, approached Ferri about returning to perform in ‘Wolf Works,’ she readily agreed.
“This role is really very special to me, I’d say it’s part of ‘Act Two’ of my life,” Ferri shared during rehearsals, highlighting the deep connection she has with the role. The role resonates deeply with her, encapsulating themes of strength, vulnerability, and artistic expression, much like the life of Virginia Woolf, the inspiration behind the ballet.
McGregor has stated, “There is a sense that ballet is for the young, and that ballerinas often retire in their 30s or 40s. But why? Why are we so limiting about human physical expression? I am a huge proponent of working with people of all ages. It brings a different kind of creative intelligence to the work.”
Ferri embraces the challenge of the physically demanding role, demonstrating her dedication and commitment. She recognizes the importance of defying preconceived notions about female bodies and their capabilities, proving that age is no barrier to artistry.
The ballet itself, with its three acts, draws inspiration from Virginia Woolf’s writings and ideas. The first act, “I now, I then,” inspired by Mrs. Dalloway, presents a fragmented narrative of Woolf’s world, while the second act, “Becomings,” draws from Orlando and explores themes of gender transformation and fluidity, offering a dynamic experience reminiscent of a sci-fi rave party. The third act, “Tuesday,” delves into Woolf’s biographical writings, including her final letter to her husband Leonard.
McGregor’s choreography, paired with Max Richter’s original score, is a unique blend of classical and contemporary elements, pushing the boundaries of ballet and challenging audiences to think differently about the art form. The costumes, designed by Moritz Junge, are minimal, allowing the audience to focus on the dancers’ bodies and movements.
Ferri’s return to the stage, alongside McGregor’s innovative choreography, serves as a reminder that age should not define one’s artistic potential. ‘Wolf Works’ is not only a stunning performance but also a testament to the enduring power of artistic expression and the importance of challenging societal norms. As Ferri continues to inspire with her talent and determination, ‘Wolf Works’ promises to be a powerful and unforgettable experience.
