Pedro Almodóvar, the Spanish auteur known for his vibrant visuals and fearless exploration of taboo subjects, ventures into uncharted territory with his first English-language feature film, ‘Strange Way of Life’. The film, inspired by Sigrid Nunez’s novel ‘What Are You Going Through’, tackles the complex and often sensitive issue of assisted death with a delicate yet profound approach.
Almodóvar’s signature style, characterized by playful melodrama and bold visual choices, is present but softened with a new sense of depth. The film centers on Ingrid (Julianne Moore), a writer struggling with her own mortality, and Martha (Tilda Swinton), her terminally ill friend who chooses to end her life on her own terms.
‘Strange Way of Life’ unfolds primarily within the walls of a rented house, creating an intimate space where Ingrid and Martha’s evolving relationship and perspectives on life unravel. The film’s vibrant color palette, reminiscent of David Hockney’s work, further emphasizes the beauty and fragility of life.
The film bravely explores the taboo topic of assisted suicide, a practice currently legal in only a handful of countries. It confronts the societal discomfort around discussions of death, particularly in the Western world. While the subject matter is heavy, Almodóvar handles it with sensitivity, prompting viewers to consider the importance of individual autonomy over one’s own life and death.
Despite its strong thematic foundation, ‘Strange Way of Life’ occasionally stumbles due to its dialogue. Some conversations feel overly blunt and literal, lacking a natural flow. This is likely due to Almodóvar’s unfamiliar territory with English dialogue and his penchant for sharp, melodramatic exchanges.
However, the powerful performances from Moore and Swinton, coupled with the film’s bold exploration of end-of-life choices, elevate ‘Strange Way of Life’ beyond its occasional stylistic missteps. Ultimately, the film leaves viewers with a profound message about the importance of living life to the fullest and the right to choose how one exits it. While most of us may not have the luxury of dying in a lavish glass house, the fundamental right to determine our own fate, particularly in the face of suffering, remains paramount. ‘Strange Way of Life’ serves as a powerful reminder that even within a tragedy, life offers numerous ways to find meaning and experience joy.
