The seemingly simple premise of a driver being tasked to pick up a T-shirt for his boss might not scream cinematic gold, but An Errand, premiering at the 2024 Cinemalaya Film Festival, proves that even the most ordinary errand can be a springboard for a captivating story. The film, adapted from Sarge Lacuesta’s short story published in his collection, Coral Cove and Other Stories, dives into the complex relationship between a chauffeur named Moroy and his demanding employer, Ser.
The narrative follows Moroy as he undertakes a late-night drive from Baguio to Makati to fetch a Givenchy T-shirt for Ser, who is holed up with his mistress. The errand becomes a catalyst for Moroy’s introspection, revealing his thoughts and memories as he navigates the winding roads. Lacuesta, the writer, believes that short stories are inherently filmable, unlike novels, and the film utilizes this brevity to create a focused and impactful narrative.
Director Dominic Bekaert, who is Filipino-Belgian, brings a fresh perspective to the story, highlighting the subtle but significant class differences that exist in Filipino society. The film is a nuanced portrayal of the driver/employer dynamic, offering a more realistic and complex view than the simplistic portrayal often seen in similar stories. The film features an ensemble cast that includes Sid Lucero as Moroy, Art Acuña as Ser, Elora Escano as Brenda (Ser’s girlfriend), and the real-life ELF as Mrs. Makiling, Ser’s demanding benefactor.
An Errand is more than just a road movie; it is a psychological journey that blurs the lines between reality, fantasy, and memory. The film’s deliberate pacing and contemplative approach to storytelling evoke a European sensibility, offering viewers a cinematic experience that is as breathtaking as the scenery it captures. The film crew’s ability to shut down Kennon Road during their shoot further enhances the film’s visual appeal, showcasing the diverse landscapes of the Philippines.
The ending of An Errand is intentionally ambiguous, leaving audiences with more questions than answers, reflecting the film’s overall theme of ambiguity and the blurred lines between truth and fiction. It is a testament to the filmmakers’ commitment to their vision, leaving viewers with a sense of reflection and prompting them to ponder the complexities of human relationships and the unseen realities that often lie beneath the surface of seemingly mundane events.
