Growing up in Plaster City, California, on the border of Mexico, Daniel Gibson witnessed the struggles of migrants crossing the harsh desert terrain. Deeply impacted, Gibson began using butterflies as a symbol of hope and freedom in his art, imagining them carrying refugees across the border to safety.
In his painting “In Between Worlds,” the Philip Guston-inspired mound of rock represents the desert landscape of Gibson’s hometown, while a small head peering out from among the flowers evokes the hidden presence of migrants. Gibson’s portrayal of migrants as flowers adds a touch of whimsy and beauty to the often-harsh reality of border crossings.
Gibson’s artistic journey began in the imaginative landscapes he created in his mind as a child living in Plaster City. With limited access to traditional art resources, Gibson relied on his imagination to escape the boredom of his surroundings. This early experience laid the foundation for his current work, which explores the transformative power of imagination while addressing social and political issues.
Over time, Gibson’s artistic style has evolved from the raw and literal protest art of his youth to the more dreamlike and hopeful works he creates today. While the message of empathy and human rights remains, Gibson’s use of oil paint on linen and his larger audience have shifted the tone of his work. Daniel Gibson’s art continues to inspire and challenge viewers, offering a unique perspective on the human experience and the power of imagination to create a better world.
