Constanza Macras, a force of nature in the world of dance, is known for her groundbreaking work on films like “The Favourite” and “Poor Things” but her impact extends far beyond the silver screen. In her newest piece, “The Hunger,” Macras explores the human need for shared excess through ritual, using it as a powerful lens to examine our societal dynamics.
Growing up in Buenos Aires, Macras’s passion for movement was ignited early on, though her initial foray into ballet was met with frustration. A fierce spirit, she channeled her energy into hockey before rediscovering her love for dance, this time embracing modern dance’s freedom. Her relentless pursuit of expression led her to establish the internationally renowned dance company, Constanza Macras | DorkyPark, a testament to her unwavering dedication and entrepreneurial spirit.
Macras’s journey to success wasn’t paved with ease. She navigated a world where women, especially those wielding power and vision, often face skepticism and doubt. But Macras, refusing to be deterred, forged her own path, fueled by a deep-seated belief in her artistic vision. Her journey, marked by a constant hunger for creation, exemplifies the power of following one’s passions.
“The Hunger” is rooted in the idea that rituals, often brutal in their intensity, act as a glue for society. Macras draws inspiration from the Argentine writer Juan José Saer’s novel, “The Stranger Witness,” which details a cannibalistic ritual culminating in an orgiastic frenzy, followed by a collective mourning. She sees a parallel with Berlin, a city that embraces nightlife, drugs, and sex but also grapples with profound loneliness. This juxtaposition fuels her exploration of the human desire for connection, love, and belonging in the midst of excess.
Macras emphasizes that dance is a language unto itself, capable of conveying complex emotions and political statements. She acknowledges the rising tide of conservatism globally, particularly in her native Argentina, and sees art as a crucial tool for resistance. She urges us to confront the dangers of silencing dissenting voices and the erosion of freedom.
The viral success of the dance scene in “Poor Things” with Emma Stone propelled Macras into the spotlight, showcasing her work to a wider audience. Macras sees this positive impact of social media as a way to disrupt the lethargy that can often engulf us. Her work, with its bold visuals and experimental elements, is designed to awaken our senses and provoke thought.
Macras’s approach to dance is not just about movement; it’s about creating an immersive experience, blurring the lines between disciplines like dance, text, film, and live music. She believes that clothing is an extension of this philosophy, an expression of personal style and a vital tool in enhancing movement. Her own love for fashion and her personal experimentation have been instrumental in forging her path and breaking down barriers.
With “The Hunger,” Macras invites us to delve into the depths of human nature, exploring our collective need for connection, the power of ritual, and the importance of embracing diversity. As she says, “Dance is a language, and it speaks to our very being.”
Catch “The Hunger” by Constanza Macras | Dorky Park at Volksbühne am Rosa-Luxemburg-Platz in Berlin, with performances scheduled for September 19th (premiere), 21st, 27th, and October 9th and 18th.
