Prepare to be amazed, because the highly anticipated horror flick ’28 Years Later’ has been filmed entirely on the iPhone 15! This revelation, first reported by Wired, has sent shockwaves through the filmmaking industry. With a staggering budget of $75 million, it becomes the biggest film to date to rely solely on a smartphone for capturing its cinematic magic.
The main filming wrapped up last month, and the final product is set to hit theaters in June 2025. While the secrecy surrounding the iPhone’s role in the film was tight, with cast and crew signing non-disclosure agreements, a photo captured by paparazzi in July revealed a telltale clue. A protective cage on the movie set housed something that was most definitely not a traditional movie camera, but a high-end smartphone. Wired dug deeper and confirmed the iPhone 15 Pro Max’s starring role in the film, supported by elaborate rigs.
This bold move by Danny Boyle, a director known for his visual prowess, is a huge win for Apple. The iPhone’s reputation for capturing stunning imagery is already strong, and now it has a prime-time slot on the silver screen. Apple itself demonstrated the iPhone 15 Pro Max’s cinematic potential during its ‘Scary Fast’ event last October, showcasing the capabilities of the device in capturing professional-quality footage. While the iPhone 15 Pro Max undeniably played the starring role in ’28 Years Later,’ it was supported by an impressive lineup of film equipment, including lighting, dollies, cranes, and a skilled post-production team. These elements were crucial in transforming the raw footage into the compelling scenes we’ve come to expect from a Danny Boyle film.
The sheer audacity of using such a compact device to capture a major film’s visuals is astounding. With a visionary like Boyle at the helm, it’s impossible not to be curious about the final product and how he has managed to push the boundaries of smartphone filmmaking. This is a cinematic milestone, one that is sure to raise eyebrows and inspire many in the industry. We can only wait with bated breath to see what Boyle has achieved with this revolutionary filmmaking approach.
