The Parisian charm of “Emily in Paris” isn’t just about croissants and romantic entanglements. It’s also about fashion, and the show’s creators have a particular fondness for one style icon: Audrey Hepburn. The homage begins subtly in Season 1, where Emily, played by Lily Collins, finds herself on the grand staircase of the Palais Garnier, echoing Hepburn’s iconic entrance in the film “Funny Face.”
The resemblance is striking, and it’s just the beginning. Season 4 doubles down on the Hepburn references, with Emily sporting a red satin ensemble and opera gloves while descending the Spanish Steps in Rome, another clear nod to “Funny Face.” But the show isn’t limited to just one film. Emily is seen riding a Vespa and sporting a neckerchief, reminiscent of Princess Ann in “Roman Holiday.” And in a scene set in the Alps, Emily recreates Hepburn’s look as Regina Lampert from the opening of “Charade.”
The show’s costume designer, Marylin Fitoussi, has been deliberate in her incorporation of Hepburn’s style. She even managed to get her hands on the exact pair of Pierre Marly glasses Hepburn wore in “Charade.” “When Lily tried them on, we were crying, shouting, and having goosebumps,” Fitoussi shared. “Every season we have a tribute to Audrey Hepburn, it’s part of the game now.”
The references extend beyond iconic looks, with Emily’s masquerade attire drawing inspiration from Cecil Beaton’s costumes for Hepburn in “My Fair Lady.” With the show seemingly working its way through Hepburn’s filmography, it’s only a matter of time before the show pays tribute to “Breakfast at Tiffany’s.” Will Emily sport Hepburn’s iconic little black Givenchy dress for a final, Parisian farewell?
The Hepburn references are more than just a playful homage; they add a layer of elegance and nostalgia to the show. It’s a reminder of the timeless appeal of Hepburn’s style, and the enduring influence she continues to have on fashion. As Emily navigates the world of Parisian fashion, she embodies the spirit of Audrey Hepburn, showcasing how classic style remains relevant and inspiring.
