The upcoming Forces of Fashion event, celebrating the impact of the runway throughout history, reminds us of the captivating presence of fashion shows in movies and television shows. And while we often associate them with glamorous red carpets and high-fashion events, sometimes, the most intriguing fashion moments appear in the most unexpected places. Take, for instance, the nighttime drama ‘Knots Landing’, which aired on CBS from 1979 to 1992.
For those unfamiliar with the show, ‘Knots Landing’ offered a captivating blend of family drama, social commentary, and, yes, even fashion. The show’s creators initially envisioned an American adaptation of the Swedish miniseries ‘Scenes from a Marriage,’ focusing on marital tensions. However, they ultimately crafted a unique narrative that drew inspiration from Douglas Sirk’s melodramatic films, set against the backdrop of Southern California’s coastal suburbs. The storylines were as intricate as they were captivating, weaving together tales of a demented televangelist, a spurned lover’s tragic demise, and even a newborn kidnapping, all unfolding amidst the seemingly idyllic suburban setting.
One of the most memorable episodes, titled ‘Reunion,’ featured a fashion show that served as a powerful catalyst for character development and the exploration of conflicting desires. In this episode, we witness the contrasting lives of Karen Fairgate, the moral compass of the neighborhood, and her old college friend, Victoria, a successful fashion designer. Karen has sacrificed her career for family life, while Victoria has embraced her professional ambitions.
The episode cleverly showcases the tension between family and career through the lens of fashion. Victoria, played by the brilliant Jessica Walter (who later became known for her iconic role as Lucille Bluth on ‘Arrested Development’), challenges Karen’s commitment to motherhood with a blunt, yet memorable, statement: “Oh, cut the motherhood crap, Karen! It’s a biological function, not a holy calling!” This bold declaration sets the stage for the episode’s central conflict, as Karen grapples with her own ambitions and the expectations placed upon her as a mother.
The episode’s climax arrives during the fashion show, showcasing Victoria’s designs, where a surprising twist unfolds. Valene, Diana, and Abby, the show’s antagonist played by Donna Mills (renowned for her captivating eye makeup), model vibrant ’80s evening wear, complete with dazzling rhinestones and feathers, clearly inspired by the legendary Bob Mackie. The scene serves as a visual celebration of the power of fashion, emphasizing its ability to evoke emotions, transform appearances, and empower individuals.
In the end, it’s Diana, Karen’s teenage daughter, who steals the show, both literally and figuratively. Her walk down the runway in a pale blue ruffled bustier and ball skirt mirrors the style of Princess Diana in her Bellville Sassoon era, serving as a visual reminder of the changing tides of fashion and the evolving sense of style. As Diana gracefully struts her way down the runway, Karen watches on proudly, recognizing her daughter’s burgeoning independence and the exciting path that lies ahead for her.
This memorable fashion show scene in ‘Knots Landing’ serves as a powerful reminder of the impact of fashion on television storytelling. Beyond mere aesthetics, fashion can become a catalyst for exploring complex themes, driving character development, and adding a layer of depth and intrigue to even the most unexpected narratives. It’s a testament to the power of fashion to transcend the boundaries of entertainment and become a force for personal growth, self-expression, and even social commentary.
