Nestled close to Chennai’s landmark Gemini flyover, the Little Flower School for the Blind and the Deaf holds a special place in the history of Tamil cinema. It was here, in 2004, that the audio cassette of the blockbuster film ‘Ghilli’ was released, marking the first time the enchanting tunes of ‘Appadi Podu’ and ‘Arjunar Villu’ graced the airwaves. Nearly two decades later, these melodies continue to resonate, as the film’s re-release has packed theaters despite the IPL buzz.
Director Dharani, the mastermind behind ‘Ghilli,’ shares his insights into the film’s enduring appeal, attributing it to the emotional resonance of its protagonist, played by Vijay, and the relatable family dynamics portrayed on screen. He acknowledges the debt owed to writer Gunasekar, who penned the original Telugu film ‘Okkadu,’ from which ‘Ghilli’ was adapted, for creating characters that audiences could connect with.
Dharani reminisces about the initial pitch to star Vijay and producer AM Rathnam, recalling how the film’s gripping story, blending elements of kabaddi, romance, and a road movie, left an immediate impression on him. Vijay’s impeccable comedic timing and chemistry with co-stars Ashish Vidyarthi, Janaki Sabesh, and Jennifer brought the family sequences to life, making them a fan favorite.
The film’s music, composed by the maestro Vidyasagar, remains as popular today as it was upon its initial release, with audiences dancing in theaters to its infectious beats. Dharani acknowledges the friendly debates he and Vidyasagar had during the composing sessions, with Vidyasagar’s insistence on melody and Dharani’s preference for faster-paced numbers. In the end, they struck a perfect balance that elevated the film’s emotional impact.
As for the possibility of a ‘Ghilli 2,’ Dharani remains open to the idea, jokingly referring to the re-release as the second installment. However, he acknowledges that the unparalleled reception to the re-release may make it challenging to replicate the same level of success with a sequel.
Cinematographer S. Gopinath fondly recollects shooting on the massive seven-acre set designed by art director Maniraj, where the lighthouse and beach sequences were captured. He recalls the injury he sustained during filming, which forced him to briefly hand over the reins to the late cinematographer KV Anand for the ‘Appadi Podu’ song sequence.
Producer AM Rathnam expresses his delight at the film’s enduring popularity and its successful re-release. He attributes its appeal to its portrayal of the protagonist as an ordinary boy rather than an idealized hero. Rathnam reveals plans for a sequel to ‘7G Rainbow Colony’ and hints at the possibility of ‘Ghilli 2’ in the future.
