Pizzorusso’s theory hinges on the distinctive backdrop of the Mona Lisa painting, which features an arched bridge. She argues that this bridge corresponds to the 14th-century Ponte Azzone Visconti in Lecco. Additionally, the limestone rock formations depicted behind the noblewoman match those found in the Lecco region.
Challenging previous hypotheses that associated the bridge with similar structures in other Italian cities, Pizzorusso highlights the geological inaccuracies in those theories. She emphasizes that her expertise in geology lends credibility to her claims.
Michael Daley, executive director of ArtWatch UK, commends Pizzorusso’s research as a testament to the harmonious relationship between art and science. Her findings shed new light on the origins of one of the world’s most renowned masterpieces.
