The Port of Toronto Cruise Ship Terminal now boasts a breathtaking new mural titled “Shagi.” This vibrant work of art is a collaborative effort between PortsToronto, Ogiima Kwe Sault, Chief Claire Sault of the Mississaugas of the Credit First Nation, and renowned Anishinabek artist Que Rock. “Shagi” is a powerful tribute to Indigenous culture, showcasing the profound connection between the Mississaugas of the Credit First Nation and the lands and waters of Toronto.
Created by Que Rock, the mural features the striking image of the Clan of the Cranes, with the majestic Great Blue Heron taking center stage. The vibrant colors and intricate design go beyond mere aesthetics, offering visitors a visual and spiritual healing experience. As people arrive at the Port and Harbour of Toronto, they are greeted by this bold symbol of peace, unity, and resilience, reflecting the importance of balance in both nature and community.
“Shagi” also serves as a bridge between the past and present, prompting reflection on the long-standing Indigenous stewardship of these lands. The inclusion of the Great Blue Heron ties into the sacred symbolism of the Crane, a messenger renowned for fostering harmony and community. This collaboration between PortsToronto, Chief Claire Sault, and Que Rock underscores a shared commitment to preserving and honoring Indigenous heritage, while creating a space for healing and contemplation in one of Toronto’s busiest gateways.
Beyond its artistic impact, the unveiling of “Shagi” symbolizes PortsToronto’s dedication to furthering Indigenous representation and culture. This mural is just the beginning of many future initiatives designed to highlight Indigenous contributions to Toronto’s past and future, fostering deeper connections between travelers and the rich cultural tapestry of the region.
“This installation at the Port of Toronto Cruise Ship Terminal is more than a piece of art; it is a testament to the commitment we have made to ensure Indigenous representation at key ports of entry,” said RJ Steenstra, President and CEO, PortsToronto. “The statistics on vessels and passengers coming through our port reflect more than just activity; they embody the connections and stories that enrich our city. Complementing “Shagi” is the Maanjidowin sculpture at Billy Bishop Toronto City Airport – a large-scale granite sculpture overlooking the western gap into the Toronto Harbour. With these installations bookending the Toronto Harbour to the east and west, they stand as poignant reminders of the recognition, respect and support shared between each other and what continues to inspire us.”
