Nicole Kidman is on a roll. Following her role in Netflix’s ‘A Family Affair,’ she’s back with another film exploring the intriguing dynamic of May-December relationships, this time in Halina Reijn’s ‘Babygirl,’ a sultry workplace thriller that premiered at the Venice Film Festival. While both films feature glamorous older women and dashing young men, ‘Babygirl’ is far from fluff. It’s a rapid-fire romp that thrills and unsettles in equal measure, diving headfirst into the raw, unfiltered world of lust.
The film opens with a scene that sets the tone for what’s to come: Romy Mathis, a powerful CEO played by Kidman, fakes an orgasm with her husband, a theatre director. This sets the stage for her complex relationship with Samuel, a young intern played by Harris Dickinson. From the moment Romy witnesses Samuel’s bravery in a tense situation, she’s intrigued by his bold personality and social awareness. As they work together, their professional relationship bleeds into the personal, culminating in a passionate affair.
‘Babygirl’ doesn’t shy away from portraying Romy’s desires and the power dynamics at play. Kidman’s performance is fearless, showcasing a character who is both insatiable and vulnerable. The film explores the conflicting emotions Romy experiences as she grapples with her desires and the potential consequences.
The film also delves into the complexities of Samuel’s character. He’s both charming and manipulative, a young man who uses his position to his advantage. Dickinson delivers a compelling performance, portraying Samuel’s growing affection for Romy alongside his willingness to push boundaries.
‘Babygirl’ is a captivating and controversial film. It’s a thrilling ride that’s sure to spark debate and provoke viewers. With Kidman’s phenomenal performance, Reijn’s sharp script, and a tension-building score, ‘Babygirl’ is a must-see for those who appreciate bold filmmaking that tackles complex themes of desire, power, and the blurred lines between personal and professional life.
