Northern Irish photographer Gareth McConnell has released a new book, ‘Details of Sectarian Murals,’ under his London-based studio, Sorika. The book presents a fresh perspective on the sectarian murals that have left a mark on the walls of Northern Ireland, paying tribute to those lost during The Troubles and signaling allegiances to a conflict that continues to linger.
During The Troubles (1968-1998), around 3,500 people lost their lives and 20,000 were wounded in a conflict that pitted Unionist Protestants against Separatist Catholics. While a power-sharing arrangement was reached between the UK and the Republic of Ireland in 1998, tensions have persisted, particularly following Britain’s decision to leave the EU.
McConnell’s book largely presents these murals stripped of their often aggressive figurative depictions or messaging, resulting in highly abstracted close-ups that are visually closer to a painting by German artist Gerhard Richter than a religiously charged image of machine guns and flag bearers. Designed by Tom Etherington and Scott King, these close-ups reveal the painterly qualities of the murals, highlighting their traditional craft values.
Sarah Allen, who wrote a text for the book, notes that these murals exist on a continuum with other forms of popular art, including graffiti, coats of arms, Victorian advertising, and trade union banners. However, she also acknowledges their aggressive and hostile nature, implying violent consequences for foes and those who transgress ideological boundaries.
Despite their controversial nature, these murals have become a popular tourist attraction, with guided walking tours now available. ‘Details of Sectarian Murals’ is an edition of 500 that spans 96 pages and is available to purchase online for £30 GBP / $37 USD.
