Pedro Almodóvar, the renowned Spanish director known for his vibrant and often controversial films, has ventured into English-language cinema with his latest work, ‘Strange Way of Life.’ Starring Tilda Swinton and Julianne Moore, the film delves into the profound themes of life, death, and the individual’s right to self-determination, particularly in the context of a terminal illness and the controversial topic of euthanasia. This is Almodóvar’s 23rd film, but his first full-length English project, based on Sigrid Nunez’s novel ‘What Are You Going Through.’
The film follows two close friends, played by Swinton and Moore, who haven’t seen each other in years. One of them, played by Moore, is diagnosed with a terminal illness and seeks out her friend’s support. This rekindled connection leads to a request, a profound one, that sets the stage for the film’s central conflict. At the Venice Film Festival press conference, Almodóvar addressed his decision to create his first English-language film at the age of 74. “For me, it’s like starting a new genre,” he shared, comparing it to “science fiction.” He acknowledged his initial concerns about the challenges of working with a new language but expressed his satisfaction with the process, particularly commending Swinton and Moore for their understanding of the film’s tone and themes.
‘Strange Way of Life’ grapples with the difficult subject of death. Almodóvar confessed his own struggle to comprehend the concept of mortality, aligning himself with Moore’s character who finds it incomprehensible that something alive must eventually die. Swinton, on the other hand, revealed a more accepting perspective, sharing her personal experience of coming to terms with death early in life. “I personally am not frightened of death. The journey of acceptance can be long for some people, but for some reason, I became aware early. I know it’s coming. I see it coming. I feel it coming,” she explained. Despite the film’s exploration of death, Swinton emphasized that it primarily focuses on life. “We don’t really talk about death at all. It’s more about life, a portrait of self-determination, about someone who decides to take her life and her living and her dying into her own hands.”
‘Strange Way of Life’ centers on the controversial topic of euthanasia. Almodóvar passionately advocated for greater access to euthanasia globally, expressing his support for the practice and calling for its regulation. “We have a law in Spain on euthanasia. It should be possible to have all over the world. It should be regulated and the doctor should be allowed to help his patient,” he declared, receiving loud applause from the audience. He emphasized that the film is “in favour of euthanasia,” admiring Swinton’s character for taking control of her own fate in the face of terminal cancer. “She finds a way to reach her objective with the help of her friend, but they have to behave as if they were criminals,” he explained. As of 2024, euthanasia is legal in only a handful of European countries, including Belgium, Luxembourg, the Netherlands, and Spain, with Portugal’s law still awaiting regulation. Swinton echoed this sentiment, stating that she “can’t say I wouldn’t act in exactly the same way” if she were in her character’s shoes. This film marks a significant departure for Almodóvar, showcasing his ability to navigate complex and sensitive issues with both artistry and social awareness. ‘Strange Way of Life’ promises to be a powerful and thought-provoking exploration of life, death, and the individual’s right to choose their own path, leaving viewers with questions and reflections about the nature of mortality and the role of compassion in end-of-life decisions.
