Sanya Malhotra’s latest look at the Indian Film Festival of Melbourne is a testament to the power of fashion to bridge cultures and eras. Styled by Manisha Melwani, the ensemble embodies a concept she calls ‘Chaat Couture,’ a playful nod to the diverse flavors and textures of Indian street food, mirroring the eclectic fusion of styles in her design.
At the heart of this look lies a sculpted gold breastplate, meticulously crafted by Samesisters. This isn’t just any breastplate; it’s a reimagined traditional Kanjeevaram sari, solidified into a modern heirloom. This bold piece speaks to the evolving role of Indian wear in a globalized world, showcasing the timeless beauty of the Kanjeevaram in a contemporary form.
The breastplate is beautifully balanced by a vintage Banarasi sari from Shanti Banaras, its golden and silver threads woven into a classic Banarasi tissue. This pairing transcends time and geography, creating a harmonious blend of textures and traditions.
The overall aesthetic, while maximalist, retains a sense of ethereal simplicity. The neck is left bare, highlighting Malhotra’s natural beauty, while the glam is kept minimal, allowing her hair to take center stage in a stylish updo.
The look is further enhanced by delicate Sahara earrings from Shri Paramini and a metallic flower hair accessory crafted by Kavya Potluri. These subtle touches add a touch of whimsy and refinement, completing the overall ‘Chaat Couture’ narrative.
While breastplates, Kanjeevaram saris, and Banarasi saris are not new to the fashion world, Malhotra’s look showcases a novel approach to reinterpreting traditional elements in a modern context. It’s a conversation starter that highlights the endless possibilities of Indian textiles and their ability to transcend time and trends.
This isn’t just an outfit; it’s a statement. It’s a celebration of heritage, a nod to the future, and a powerful reminder of the enduring allure of Indian fashion.
