Conceptual Emirati artist Zeinab Alhashemi’s site-specific installations are a commentary on the cultural traditions of the Arabian Peninsula. In a historic debut at the Theseus Temple in Vienna, Alhashemi became the first Emirati artist to showcase her work at the site.
Alhashemi’s installation, “There May Exist,” is a thought-provoking exploration of the profound metamorphosis that has swept through the United Arab Emirates since the revelation of oil. Through evocative compositions of oil barrels transformed into striking pyramids, she invites viewers to contemplate the shifting landscape of the region and the enduring legacy of cultural traditions.
Alhashemi’s creative process for “There May Exist” involved deconstructing and repurposing oil barrels using welding, shaping, and upholstery techniques. The textured surface of the pyramid, reminiscent of camel hide, serves as a metaphor for the resilience and adaptability of both Emiratis and camels in response to the harsh environmental conditions of the past.
Alhashemi’s work honors the cultural and historical context of the UAE by incorporating elements of traditional craftsmanship and symbolism. The camel hide sculptures serve as symbols of cultural continuity and resilience, inviting viewers to engage in a visual dialogue on the rich heritage of the Arabian Peninsula.
Through her art, Alhashemi aims to raise awareness about environmental sustainability and the impact of human activity on the planet. She believes that preserving heritage and tradition through art is paramount to maintaining cultural identity and fostering a sense of belonging.
