Iranian Journalists’ Jail Sentences Reduced After Collaboration Charges Dropped

Two Iranian journalists, Elaheh Mohammadi and Niloufar Hamedi, have had their jail sentences reduced after appeals courts acquitted them of charges of collaborating with the United States. The women, who were initially sentenced for their coverage of Mahsa Amini’s death in custody, will continue to serve their sentences for other charges, but their lawyers hope they will be freed under an amnesty.

American Journalist Evan Gershkovich Faces Spying Charges in Closed-Door Russian Trial

American journalist Evan Gershkovich, accused of spying for the CIA, faced a closed-door trial in Russia. The prosecution alleges he gathered sensitive information about a tank manufacturer, while Gershkovich, his newspaper, and the US government maintain he was merely reporting. The trial is expected to continue for months, raising concerns about the case’s transparency and potential for political motivation.

French Journalist Forced to Leave India After Journalist Permit Denial

Sebastien Farcis, a French journalist with 13 years of experience in India, was forced to leave the country after the Ministry of Home Affairs refused to renew his journalist permit. Farcis claims the denial was without justification and considers it a form of censorship, especially as it came on the eve of the Indian general elections. He is the second French journalist to be forced out in the past four months, highlighting concerns about press freedom in India.

Patricia Evangelista’s ‘Some People Need Killing’: A Reckoning of Duterte’s Drug War

Patricia Evangelista’s memoir, ‘Some People Need Killing,’ is a powerful and intimate account of the thousands of lives lost in former Philippine president Rodrigo Duterte’s bloody war on drugs. Evangelista, a trauma reporter known for her longform literary reportage, chronicles the stories of victims and survivors, and paints a sweeping history of the political and moral climate that led to the Duterte moment. Through her own experiences as a journalist covering the drug war, Evangelista also explores the cost of standing witness and the importance of storytelling in a post-truth world.

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