Richard Linklater’s Hit Man is a clever and sexy comedy starring rising star Glen Powell. While very original, it feels designed for box office success but may struggle on Netflix due to its emphasis on shared big screen experience. The film challenges expectations by denying the existence of hit men, setting up a metatextual exploration of myth and identity. Powell delivers an impressive performance in multiple iterations of his hit-man act, while his chemistry with Adria Arjona adds excitement and romance. Hit Man delves into the nature of identity, questioning whether we can become who we wish to be and the role of our inner selves. Linklater and Powell employ clever mise-en-scène to engage the audience in unexpected ways, creating a tense atmosphere. The film’s strengths lie in its shared theatrical experience, where the audience is collectively immersed in the projected images and questions our perception of reality.