The Pinault Collection, a renowned collection of modern art amassed by François-Henri Pinault, is coming to Seoul for the first time. Featuring works by 350 artists, the exhibition will showcase the artistic vision of the collection at the SONGEUN Art and Cultural Foundation, alongside a unique collaboration with Saint Laurent’s Seoul flagship store.
Saint Laurent has unveiled a revamped store at Isetan Shinjuku, showcasing a modern luxury concept designed by Creative Director Anthony Vaccarello. The store features a unique blend of raw and refined elements, with a focus on craftsmanship and materials.
Bella Hadid turned heads at the Cannes Film Festival in a daringly sheer Saint Laurent dress that showcased the designer’s innovative use of ultra-thin hosiery. The custom-made gown featured a halter neckline, knotted bodice, and below-the-knee skirt, revealing the model’s figure underneath. Hadid accessorized with mahogany heels and drop earrings, completing the Old Hollywood glamour of her ensemble.
Anthony Vaccarello of Saint Laurent is making waves in the film industry through Saint Laurent Productions, a division established to support filmmakers with funding and resources. The company’s latest endeavors include the production of three films that will premiere at the Cannes Film Festival: David Cronenberg’s ‘The Shrouds,’ Paolo Sorrentino’s ‘Parthenope,’ and Jacques Audiard’s ‘Emilia Perez,’ starring Selena Gomez, Zoe Saldana, and Edgar Ramirez. Through these collaborations, Vaccarello aims to nurture creativity and preserve cinematic heritage. While the films will feature costumes designed by Saint Laurent, the brand refrains from overt commercialism or promotional tie-ins, valuing the integrity of the artistic vision.
Anthony Vaccarello, creative director of Saint Laurent, is making waves in the film industry through Saint Laurent Productions, a division that supports iconic filmmakers and produces their films. This year, three films produced by Saint Laurent Productions will premiere at the Cannes Film Festival: David Cronenberg’s The Shrouds, Paolo Sorrentino’s Parthenope, and Jacques Audiard’s Emilia Perez, starring Selena Gomez, Zoe Saldana, and Edgar Ramirez. Vaccarello’s passion for cinema began in his youth, influenced by directors like Pier Paolo Pasolini and Rainer Werner Fassbinder. He believes that fashion and film share creative and commercial aspects, with designers and directors often balancing these elements in their work. Vaccarello’s goal with Saint Laurent Productions is to support filmmakers in realizing their creative visions without compromising their artistic integrity. He emphasizes that the films produced by Saint Laurent do not feature product placement or capsule collections, as he believes that creativity and commerciality should sometimes remain separate. Vaccarello’s collaborations with esteemed directors like Pedro Almodovar and Gaspar Noe have resulted in critically acclaimed films. He admires Jacques Audiard, Paolo Sorrentino, and David Cronenberg for their unique styles and dedication to their craft. Vaccarello’s ultimate aspiration is to work with legendary directors like Martin Scorsese and Francis Ford Coppola. Seeing his name on the movie credits at Cannes fills him with emotion, a testament to his journey from a young boy in Brussels to a respected figure in both fashion and cinema.
Anthony Vaccarello, the artistic director of Saint Laurent, is bringing a unique combination of fashion and film to this year’s Cannes Film Festival. Saint Laurent Productions, a division established by Vaccarello to support independent filmmakers, is premiering three films at the festival, including David Cronenberg’s “The Shrouds,” Paolo Sorrentino’s “Parthenope,” and Jacques Audiard’s “Emilia Perez,” starring Selena Gomez and Zoe Saldana. Vaccarello’s goal is to provide financial backing to filmmakers, allowing them to bring their creative visions to life without compromising their artistic integrity. While Saint Laurent costumes all three films, Vaccarello emphasizes that there will be no commercial exploitation or product placement. Instead, he believes that creativity and commerciality can co-exist without diminishing the value of either.
Fashion powerhouse Saint Laurent, under the creative direction of Anthony Vaccarello, is making waves in the film industry with the establishment of Saint Laurent Productions. This division provides financial support to renowned filmmakers, allowing them to bring their artistic visions to life without commercial constraints. Vaccarello discusses his passion for cinema and the company’s role in fostering creativity in both fashion and film.
Saint Laurent’s Spring/Summer 2024 collection, presented within the vicinity of the Eiffel Tower, is an ode to strong women who have infiltrated domains once considered exclusively male. The collection, which encompasses 49 looks, features a harmonious fusion of utility and luxury, with pieces that seamlessly blend the rugged charm of cargo trousers and trench coats with the sophistication of statement accessories. Infusing femininity and masculinity, the collection transforms masculine pieces into gender-blurring ensembles, celebrating the intersection between utility and luxury. The earth-toned collection, with shades ranging from olive and maroon to sand, brown, and black, breathes life into the very essence of sophistication and ease. Flowing dresses and sheer tank tops embrace the feminine form, evoking a sense of effortless allure. Saint Laurent’s Spring/Summer 2024 collection is a captivating showcase that celebrates the inherent duality of femininity, reminding us that every woman possesses the power to embody both boldness and elegance effortlessly.
