The Man Who Shot Liberty Valance: John Ford’s Behind-the-Scenes Conflicts with John Wayne and James Stewart

John Ford’s ‘The Man Who Shot Liberty Valance’: Behind-the-Scenes Conflicts with John Wayne and James Stewart

Despite showcasing several color Westerns, John Ford opted for black and white when filming ‘The Man Who Shot Liberty Valance’ in 1962. Allegedly due to budget constraints, Paramount insisted on the decision, much to Ford’s dismay.

The production was plagued by tension between Ford and John Wayne. Ford constantly criticized Wayne’s professional athletic career and lack of military service during World War II. Wayne’s resentment towards Ford’s relentless ridicule was redirected towards co-star Woody Strode.

Ford continually mocked Strode, exploiting his past as an NFL player and comparing him to Wayne’s failed football aspirations. Additionally, the director made insensitive remarks about Wayne’s absence from military service, causing the star to experience guilt in his later years. In contrast, Ford, a decorated combat veteran, served as a filmmaker for the Office of Strategic Services and suffered injuries at the Battle of Midway. He often questioned Wayne’s wealth while James Stewart, who played Ranse, risked his life as a distinguished bomber pilot.

As the cast filmed an exterior scene with horse-drawn carriages, Wayne nearly lost control of the horses. Strode attempted to assist, but Wayne shoved him away. Ford intervened, preventing a physical altercation between the two actors. Wayne later confronted Strode, emphasizing the need for professionalism despite the ongoing tensions.

Strode blamed Ford as the catalyst for the hostile atmosphere, labeling the production as ‘miserable.’ Midway through filming, Wayne inquired about Ford’s apparent lack of criticism towards Stewart. However, towards the end, Ford made a racially insensitive comment about Strode’s costume, suggesting it resembled a controversial fictional narrator from 19th-century African-American folktales.

Ford’s remark sparked Stewart’s disapproval. Ford then publicly accused Stewart of harboring prejudice against African Americans. Stewart expressed regret and embarrassment, while Wayne expressed solidarity with his co-star.

The behind-the-scenes conflicts on ‘The Man Who Shot Liberty Valance’ highlighted the complex dynamics between Ford, Wayne, and Stewart. Despite the challenges, the film remains a classic Western, showcasing the cinematic prowess of its creators.

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