In 1987, Taiwan emerged from martial law, embarking on a path of democracy and rapid economic development. Amidst this transformative era, the film ‘House of the Hummingbird’ paints a vivid portrait of the social and economic complexities that shaped Taiwanese society.
The film revolves around 11-year-old Liao Jie and his widowed father, Liao Tai-lai. Living in poverty, they harbor dreams of owning a home. However, their aspirations are met with the harsh reality of rising house prices. Enter Xie, the cunning landlord known as ‘Old Fox,’ who recognizes Liao Jie’s desperation and offers cynical advice on how to exploit inequality.
A moral clash ensues, pitting empathy against apathy, selflessness against greed. Liao Jie grapples with the conflicting values as he navigates the widening wealth gap and witnesses the transformation of his surroundings. The film becomes a poignant reflection on the changing social landscape and the pursuit of material success.
For director Hsiao Ya-chuan, ‘House of the Hummingbird’ is a personal exploration of values and a lesson for his own children. He sought to convey his perspective on a world in flux, where traditional notions of hard work and perseverance were challenged by the rise of speculative wealth.
The film’s exploration of class, wealth disparity, and social relationships resonates beyond Taiwan’s borders. It delves into universal themes of human aspiration, the struggle against adversity, and the moral dilemmas that arise in the face of societal transformation. The acclaimed performances of Bai Run-yin as Liao Jie and Akio Chen as Old Fox bring depth and nuance to these complex characters, making ‘House of the Hummingbird’ an unforgettable cinematic experience.
